sequence eligible, in existence without breathing, Lye shows amazing 3D images of underwater animals onto several levels of material. The strategy was motivated by the 3D material art work of Japanese people specialist Riusuke Fukahori.

 The impressive impact could not be obtained without Lye’s powerful knowing of viewpoint and detail, as he is applicable polymer colour straight onto the material area, keeping the viewpoint of looking downwards into the dish.
 It was a little stone for the ranchu and octopus. For the turtle, I used an egg spend for the turtle spend and polymer colour for the relax of the completing.
In some of the works of art (such as the octopus, turtle and goldfish) that seem to appear from the material, Lye said it was a research to force the idea further.

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